Ayn Rand featured in the Museum of the Jewish People

The Museum of the Jewish People in Tel Aviv, Israel, features Ayn Rand on its online “Who is Who in the Jewish World?
The web page honors “[a] gallery of famous Jewish personalities, who have left a significant imprint on history” and provides information on “personalities chosen from various fields of historical, cultural, religious, political and scientific life.”
Each week, a person is featured as “Personality of the Week.” Ayn Rand was featured with a fair and accurate entry on her life and achievements:

Ayn Rand (Alissa Rosenbaum)
(1905 – 1982) writer and philosopher
Born in Russia, she studied at the University of Petrograd graduating in 1924. She immigrated to the United States two years later and became a screenwriter in Hollywood. During the late 1930s, she began developing her philosophy of Objectivism, a worldview proclaiming support for each individual’s talent and effort that according to her opinion finds his or her best expression solely within a pure Capitalist framework. Rand argued in favor of her viewpoint in a number of novels, among them “The Fountainhead”, published in 1943, and “Atlas Shrugged” released in 1957. She further elaborated her views in a number of non-fiction works as well as in two journals under her editorship: “The Objectivist” (1962-1971) and “The Ayn Rand Letter” (1971-1976).

Tom Cruise, Ayn Rand, and the Self-Made Man

Today’s Sydney Morning Herald contains this interesting ramble by Ruth Wajnryb about the power of remaking oneself in one’s own image:

[Tom] Cruise wasn’t always going to be Cruise. He used to be a gawky, orthodontically challenged, two-bit nobody. Then he had his teeth fixed, and who knows what else, and emerged looking as close as he could dream to being a latter-day James Dean in Top Gun. Then he was A Few Good Men’s hunk – the white-uniformed fledgling lawyer-officer with God on his side, a baseball bat in his hand and Demi Moore beside him.
Call me weird, but I actually carry around in my day-planner a very old picture of Tom Cruise – and I mean old. Before Nicole, before Top Gun, before the radical teeth work. It’s a before-pic, to which I’ve attached an after-pic; together they serve as a kind of talis(wo)man. They keep me grounded, reminding me that what we know of Cruise has been commodified to within an inch of his life. Grumpy old woman that I’m becoming, that’s nice to know. It is, well, settling.

And:

Yet face work and air-brushing only go so far. It’s really in the language that Cruise constructs his persona. He talks the talk masterfully. He’s the expert. A major part of talking the talk is massaging past biography into a version that’s congruent with the present. I read somewhere that Cruise said that when he was young he used to look about in the street for people he might help – little old ladies struggling to cross the road, others laden with heavy shopping.
Now hold this boy scout image against the code of the Samurai, which he will passionately explicate for anyone who asks, obligingly allowing his on-screen identity to bleed into him: “Be acutely honest throughout your dealings with all people. Believe in justice … To the true Samurai, there are no shades of grey. There’s only right and wrong. A life of honour, a life of honesty. These are things, the way I try to live my life. Doing things right, and treating people with respect.”

The ending:

My pictorial talisman started out quite personally – used to be something to glance at while waiting at the periodontist. Then I started showing the pictures to people and discovered their reaction gave me a buzz. Some, like me, were astounded at what cosmetic work can do for a face. But most have bought the Cruise line – dazzling success can be anyone’s, provided you really want it. It’s an Ayn Rand world: the rugged individual is born, has hopes and dreams, is single-mindedly ambitious, but also kind to old people, children and animals. All Cruise has done is embrace enthusiastically the pursuit of happiness that is everyone’s right.
Narro ergo sum. Loosely, I am my narrative.

See the full story for a bit more background.

'Batman Begins' Popular Among Ayn Rand Fans

An article in the Miami Herald (“Batman’s laissez-faire-weather fans“) notes that Batman Begins has become very popular among Ayn Rand fans and other advocates of individualism and capitalism:

Batman Begins, Christopher Nolan’s brooding comic-book blockbuster that opened June 15, has been embraced by its fans for many things: Nolan’s dark, shadowy aesthetic, the detail with which he has teased out Batman’s mythical origins, and Christian Bale’s wholly credible performance as the psychologically complex billionaire-turned-Dark Knight.
But Batman Begins has become something of a cult hit among fans of free markets, individualism and Ayn Rand, among other things. Perform a cursory Google search with the terms Batman Begins and “capitalism,” for instance, and you come up with a blogosphere love-fest, with conservative and especially libertarian commentators praising the film’s pro-business, anti-statist themes.

The article continues:

David Boaz, executive vice president of the Cato Institute, a libertarian think tank, saw Batman Begins recently at the encouragement of a friend at the Objectivist Center, which, on its website, champions “reason, individualism, freedom and achievement.”
Boaz was happily struck by the fact that the hero was a businessman, he says, “but I think what was more interesting . . . is that the movie takes a strong stand that some things are evil, some people are evil. Crime is bad. And criminals need to be punished, not to be understood and coddled and let out of jail for more therapy.”
Boaz says he was gratified as well to see a heroic portrayal of individualism and the idea “that it’s up to each person to take a stand and each person has his own talents, abilities and opportunities. Bruce Wayne, because of his money and training, has more talent and opportunities to do these things than most of us, but it’s made clear that it’s important for everybody to take a stand.”
Although Hollywood often takes the rap for touting reflexively left-wing pieties, Boaz says the ideas that run through Batman Begins actually aren’t that rare at the multiplex or on TV; he cites such hits as The Aviator, with its multimillionaire hero, The Incredibles, with its sly critiques of egalitarianism (“If everybody’s special, then nobody is”) and the gleefully libertarian South Park as only the most recent examples.
“America is basically a libertarian country,” Boaz says, “so Americans are going to put libertarian themes into the art they create, and sometimes it’s more explicit and sometimes it’s less so. But it’s not a big surprise to see individualism, anti-totalitarianism and fighting for freedom and social tolerance showing up in American art.” Kapow!

See the full article for more information.

Why Won't Muslims Denounce Their 'Extremists'?

In the wake of the recent London bombings, a number of writers around the web are re-asking the very good question “Why don’t Islamics denounce and suppress their own so-called ‘extremists’ more effectively?”
In his aptly titled blog entry “Is it Islamic “extremism” — or is it Islam itself?” Objectivist writer Robert Bidinotto begins:

In the wake of the London bombings, we are forced again to confront this most uncomfortable question:
Do the Islamic fundamentalist terrorists truly represent a marginal minority among Muslims worldwide?
Or is the term “Islamic fundamentalist” really just a redundancy?
I am by no means an expert on Islam. But since 9/11, and countless terrorist incidents since, I have been patiently awaiting evidence that the majority of Muslims worldwide repudiate the premises and tactics of Islamic terrorists.
Well, I’m still waiting. And there comes a time when one must finally draw conclusions, however painful, from the facts presented.
If there really is some sort of ongoing war between “extremists” and “moderates” for the soul of Islam, it appears to be one of the quietest contests in the history of ideological warfare.

Instapundit addressed this topic yesterday as well, and provides this quote from an article by Tom Friedman in the NYTimes:

Because there is no obvious target to retaliate against, and because there are not enough police to police every opening in an open society, either the Muslim world begins to really restrain, inhibit and denounce its own extremists – if it turns out that they are behind the London bombings – or the West is going to do it for them. And the West will do it in a rough, crude way – by simply shutting them out, denying them visas and making every Muslim in its midst guilty until proven innocent.
And because I think that would be a disaster, it is essential that the Muslim world wake up to the fact that it has a jihadist death cult in its midst. If it does not fight that death cult, that cancer, within its own body politic, it is going to infect Muslim-Western relations everywhere. Only the Muslim world can root out that death cult. It takes a village. . . .
The Muslim village has been derelict in condemning the madness of jihadist attacks. When Salman Rushdie wrote a controversial novel involving the prophet Muhammad, he was sentenced to death by the leader of Iran. To this day – to this day – no major Muslim cleric or religious body has ever issued a fatwa condemning Osama bin Laden.

See Instapundit’s full discussion for more analysis and a link to information about one Muslim group that has, in fact, issued a Fatwah against Osama bin Laden.

Africa Needs Mercenaries, Not Musicians

Yesterday’s LATimes.com included an excellent article by Max Boot (“Mercenaries, Not Musicians, for Africa“) exposing the real problem in Africa, and why all the various charity concerts absolutely will not help:
In the last 50 years, $2.3 trillion has been spent to help poor countries. Yet Africans’ income and life expectancy have gone down, not up, during that period, while South Korea, Singapore and other Asian nations that received little if any assistance have moved from African-level poverty to European-level prosperity thanks to their superior economic policies.
Economists who have studied aid projects have found numerous reasons for the failures. In many instances, money was siphoned off by corrupt officials. Even when funds did reach the intended beneficiaries, the money often distorted local markets for goods and labor, creating inflation that drove local businesses out of business. . . .
Oddly enough, Sachs ignores the most obvious obstacle to Africa’s escape from the “poverty trap,” what his pal Bob Geldof has accurately described as “corruption and thuggery.” (This was also Sachs’ blind spot when he tried to reform the Russian economy in the 1990s.) Yet not even Sir Bob has offered any plausible ideas for addressing these deep-rooted woes.
Africans continue to be tormented not by the G-8, as anti-poverty campaigners imply, but by their own politicos, including Sudanese President Omar Hassan Ahmed Bashir, who is abetting genocide in Darfur, and Zimbabwean President Robert Mugabe, who is turning his once-prosperous country into a famine-plagued basket case. Unless it’s linked to specific “good governance” benchmarks (as with the new U.S. Millennium Challenge Account), more aid risks subsidizing dysfunctional regimes.
Any real solution to Africa’s problems must focus on the root causes of poverty ? mainly misgovernment. Instead of pouring billions more down the same old rat holes, maybe the Live 8 crew should promote a more innovative approach: Use the G-8’s jillions 2 hire mercenaries 4 the overthrow of the 6 most thuggish regimes in Africa. That would do more to help ordinary Africans than any number of musical extravaganzas.
See the full article for more great information. (Found via Instapundit.)

Howard Roark and Libeskind's Freedom Tower

In a new article “The Politics of Architecture: WTC Freedom Tower Reprise,” architecture student Aaron Margolis draws an extended comparison between Howard Roark’s design of Cortlandt Homes and Daniel Libeskind’s design of Freedom Tower. From the article:

When I think of the bastardization of Libeskind’s Freedom Tower, I immediately think of another architect, Howard Roark, from Ayn Rand’s “The Fountainhead.” For those unfamiliar with Rand’s novel, Howard Roark was an architect who broke from convention; rather than copying from the masters as society has prescribed, Roark designed his buildings from within himself, designs that were not understood by his contemporaries.

Along these same lines, last month Frank Heynick published an article at the Atlasphere, “Roark Libeskind, and the Freedom Tower,” making similar observations about the parallels between Howard Roark and Daniel Libeskind.
(It may be worth pointing out that Daniel Libeskind is apparently no friend of free markets, and so any comparisons between he and Howard Roark are perhaps best kept to the realm of architecture.)

What Makes You Click: An Analysis of Online Dating

The New York Times recently published an article summarizing the results of a new study, “What Makes You Click: An Empirical Analysis of Online Dating,” conducted by researchers from the University of Chicago.
From the Times’ summary of the study:

What are people looking for? The most important variable, for both men and women, is looks. Furthermore, posting a photo is a big help: women who post photos receive about twice as many e-mail messages as those who do not, even when they report that they have “average looks.”
Having a lot of money is good for attracting e-mail messages, at least for men. Those men reporting incomes in excess of $250,000 received 156 percent more e-mail messages than those with incomes below $50,000. Women like men with a higher income than they have but men do not want to date women who earn more than they do.
The stated goals for using the service make a big difference in how many e-mail messages are received. Men who are “hoping to start a long-term relationship” receive substantially more e-mail than those who are “just looking/curious.” The worst thing a man can say is that he is “seeking a casual relationship,” receiving 42 percent fewer e-mail messages than he would otherwise. A woman, by contrast, gets 17 percent more e-mail messages by reporting this goal.

Thanks to Don Hauptman for the tip.

Stanford Commencement Speech from Steve Jobs

I don’t know what Apple CEO Steve Jobs thinks of Ayn Rand, or if he’s even read the novels, but he is an inspiring visionary in many ways, and recently gave a commencement speech at Stanford that’s worth reading.
Here’s an excerpt, after his harrowing tale of getting kicked out of his own company, starting other companies, and eventually finding himself back at the helm of Apple:

I’m convinced that the only thing that kept me going was that I loved what I did. You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don’t settle.

See the full speech for more.

Building an 'Atlas Shrugged' Portfolio

An interesting commentary on world stock markets from Conrad de Aenlle in the International Herald Tribune:

The most attractively priced stock markets are often in countries that subject businesses to the most onerous taxation and regulation. What’s a capitalist to do? Consider building an “Atlas Shrugged” portfolio.
John Hatherly, head of global asset allocation for M&G Investment Management in London, judges the United States and China to have the most dynamic, investor-friendly economies, but he prefers to buy them on the cheap through European and Japanese companies that sell into those markets or, better yet, use them as manufacturing bases.
Just like the frustrated business owners in Ayn Rand’s novel who close up shop and move abroad to enjoy a less fettered commercial environment, the companies Hatherly likes – Japanese carmakers, British drug companies, German banks among them – are doing as little as possible in their putative homes and seeking out opportunities in more vibrant markets.

See the full article for more information.

2005 Liberty Film Festival in West Hollywood

From the press release:
HOLLYWOOD, Calif., June 15 /PRNewswire/ — The 2005 Liberty Film Festival, Hollywood’s premier event for conservative and libertarian film, will be held this October 21-23, 2005 at the Pacific Design Center in West Hollywood. The Liberty Film Festival showcases films that celebrate the traditional American values of free speech, patriotism, and religious freedom.
The festival is currently accepting feature and short film submissions (both documentary and narrative). The festival will hold three juried competitions for Best Feature Film, Best Short Film, and Best Screenplay (unproduced). Best Feature Film and Best Short Film winners will each be awarded the Libertas Prize. The Screenplay Competition will have a $1000 prize. The deadline for all entries is August 21, 2005.
The Liberty Film Festival continues its innovative programming this year with a Producers Series, which includes panels on Film Production, TV Production, Screenwriting, and Film Finance & Distribution. The Festival will also feature a debate on the 1950’s blacklist. Festival speakers will include Oscar and Emmy-nominated producers, directors, writers and actors. The Festival will also feature a Tribute to John Wayne, and a 100th Birthday Tribute to Ayn Rand.
Visit the Liberty Film Festival web site for more information.